Hello! My names Nic, she/they, 22, Columbia University, bi/polyam Insta/TikTok/Snapchat: icanteventhat
Catching Elephant is a theme by Andy Taylor
little quick thing. i know how to wield a pen and paper sometimes
Mount Macedon Hiking Guide
A comic by Mia Nie. Made or the Emerging Writers’ Festival.
I got an extension called DeArrow that replaces Youtube thumbnails/titles with crowdsourced ones to make them less clickbaity and obnoxious. If there isn’t one available I set it to just grab a random frame and remove ALL CAPS!!!.
Here’s some comparisons (Original on the left, DeArrow on the right):
Night and fucking day on Linus Tech Tips….
might add this to my roster of youtube mods along with the “remove ytshorts from my existance” one
Its info is crowdsourced, so if you watch a video with a bad title, suggest your own!
Some of you might remember a couple of years ago when Scarlett Johansson sued Disney because she was making significantly less money for Black Widow than was guaranteed in her contract because so many more people watched it on streaming than in theaters, how there was a massive misinformation campaign from Disney that a ton of people on this website (and Twitter and other social media) bought into: That she was a greedy bitch who didn’t respect people who needed to stay at home during the pandemic (I believe the word “ableist” was thrown around with aplomb) as opposed to someone who just wanted to be paid what she was owed. What was literally in her contract!!! And where everyone who took more than a couple minutes to actually look into and think about the situation could figure out that her issue wasn’t with streaming itself, but with how little streaming was allowed to get away with paying her and other actors. But of course, a lot of people just saw the chance to dunk on a rich woman, and didn’t think about it beyond readying some snarky tags and hit reblog. And in doing so, threw their support behind a much wealthier, greedier studio head who is already using similar language to describe the current strike.
Anyway we’re going to see a lot of that from studios now, especially now that actors have joined the WGA and it’s easier to sell them as rich and greedy than writers, because of this cultural stereotype we have of all Hollywood actors as celebrities. Don’t fall for it. SAG-AFTRA represents people like Tom Cruise and ScarJo but it also represents the kind of people who played a Borg in two episodes of Star Trek: Voyager in 1997 or who had one line in The Marvelous Mrs. Maisel as an enthusiastic audience member. Most actors are not crazy wealthy, and in fact, if you’re a big TV fan (especially older TV and genre TV) that likely includes some actor names that you know, who played supporting roles in your fav shows, or who were even a star in something decades ago but haven’t done anything major since. The AFTRA side also represents people like radio broadcasters. But even beside that, all workers deserve to be fairly compensated for the work they do, and the threat of replacing them with AI, or real actors being required to sign contracts to allow their likenesses to be used by AI forever without paying them, is an existential threat to acting as a profession in general. The actors are in the right. The writers are in the right. The studios are in the wrong. The studios have exploited new technology to get away with horrifying labor practices for years and their feet need to be put to the fire. Circulate the articles about how poorly the Orange is the New Black cast was compensated for making one of the defining shows of the early streaming boom, and of the studios saying they want to force writers to starve and lose their homes. Don’t get distracted by propaganda aping progressive-sounding language about wealthy celebrities. Focus on the real enemy, the truly greedy fat cats who care more about money than people and art: the studios.
nvm Google won’t let me have fun anymore
the Algorithm watching me search for increasingly unhinged shit like “boycow bopbees” until it decides there is no way a normal human would be doing this
good news there’s a single hit on “catboy boycow”
“This ad is a slap in the face, and makes any LGBT person supporting DeSantis look like an absolute idiot.”
Y’all looked like absolute idiots waaaay before that, but now you’ve realized how dumb you look.
CGI animators should unionize next. normally, their jobs would be too precarious to strike, since studios would replace them without a second thought, but if it’s part of this larger general film strike, they might finally have meaningful power to better their working conditions
if CGI animators unionized, it would kill the MCU. straight up. the the entire business model is built on exploiting CGI animators
100% Disagree
It’s an underdog story about classism in which the folk hero (Johnny) is confronted by a powerful man (the Devil) who tries to exploit the hero’s perceived ignorance and inferiority by offering a great reward with impossible odds. Although Johnny warns him that looks can be deceiving, and that he’s going to regret the dare because Johnny is the “best there’s ever been”, the devil is blinded by his greed and arrogance.
The devil creates an awful cacophony of technically excellent fiddle playing that would be impossible for Johnny to replicate. It’s a trick.
But Johnny just grins at him and starts to play “simple” classic country fiddling songs - Fire On The Mountain, House Of The Rising Sun, and Daddy Cut Her Bill Off. He doesn’t rise to beat the Devil - he simply creates his own music from his home, in the style that he knows, and his love of it and the familiarity of the music make his “backwoods” fiddling more perfect than the Devil could ever achieve.
It is thus the devil’s pride, not Johnny’s, that allows Johnny to Bugs Bunny his way into a golden fiddle.
(In that sense, I do agree that it is the most American song: in a land of prejudice and inequities, great power lies - dormant but ever-present - in those we underestimate and attempt to exploit.)
doodles of my favourite worm <3
:’)
people on here are always saying “we NEED a story where the art of storytelling is abandoned” like ugh literary devices are soo annoying like that wouldn’t happen in real life that only happened to further the story (why is there story in my story) why would orpheus turn around when he was explicitly told not to why would icarus fly so close to the sun romeo&juliet catcher in the rye why are they so earnest why pour your heart and soul into anything why bother why cant all art be quippy logical monotony like my marvel movies there’s a void in my heart bc i refused to fill it and the curtains were blue
“i hate poetry its so pretentious” but then you reblog a quote or a throwaway line and say “why does this go so hard” you are desperate for poetry you are starved for it and u dont even realise you’re hungry
rose tyler hated her shitty job, wore £1 mascara, charity shop sweatpants, boxed hair bleach, couldn’t keep her room clean, hated rich people, was called a slag by the queen, constantly chat shit about her mum, slapped a guy that made her mum cry, astonished herself when she could do maths, 19 year old runaway, and the most beautiful woman on my tv 2005 - 2006
The Milt Kahl Head Swaggle
(Source: Cartoon Brew)I love it when you can pick up an animator’s quirks.
I’ve read in old interviews with Milt Khal’s fellow animators that he did the swaggle to purposefully show off. Moving the head in 3-d space is an exceptionally hard thing to do but Khal upped the level of difficulty to a place many animators wouldn’t go.
Not only are they all doing the swaggle you’ll notice they are all TALKING while they are doing it. This is back in the days where you had to use a timing sheet to pace your animation and a head swaggle doesn’t work if its too slow or too fast so he had to figure out the right speed so it looked natural while the character finishes what they have to say while not interfering with the distinct mouth shapes.
Not only did Khal do it without any shifting weight problems or timing issues he would often do it while moving the rest of the body. This isn’t his signature move just because he was good at it.This is his signature move because he was one of the only people skilled enough to DO IT AT ALL.Milt Khal was a MASTER.
God, I can’t express to you how fucking DELIGHTED I become whenever they Milt Khal Head Swaggle Post graces my dash with its presence again.
My first question to someone who’s like, “You should give up writing and learn to code!” would be to ask, “Is that how you entertained yourself during the pandemic? With long videos of people coding? Or did you read books and watch TV and movies like the rest of us?”
1eos:
1eos:
the glorification of your 20s and fear of anything else has got to stop. mainly bc your 20s is quite literally the worst decade of your life the idea that ppl think you peak at 25 has me so sad for them
also when ppl act like 20s is peak sexiness. im 26 so if you presented a 22 year old as the pinnacle of desirability i would morph into a chimpanzee and rip you limb from limb. WHAT am i supposed to do with someone who hasn’t even gone thru the age 23 ego death